Term of the Week: Pinking

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Okay, for real this time, our Term of the Week finally moves away from acronyms into more stitching techniques.

Pinking is actually a technique used throughout a lot of crafts, sewing, embroidery, anything that involves fabric that might easily fray, really.

When someone sits down to begin a project, one of the first steps to prepping for stitching is preventing the edges of the fabric from fraying. That way while they stitch the fabric’s not peeling apart or catching on their thread. There are several ways to do this, some popular ones being taping the edges or sewing around the edges. The other popular technique is pinking.

So how exactly are you meant to ‘pink’ the edges of your fabric? Basically all that’s required is a pair of pinking shears. Pinking shears are scissors with jagged, shaped edges used in crafting for putting edging designs on paper, and for fray check on fabric! They can be found in almost every store that sells scissors since they can be used for so many different things.

A pair of pinking shears

A pair of pinking shears

All that’s needed to prevent fraying on aida, linen, and other fabric types is to cut an inch into all four sides of the piece. The jagged design around the edge prevents the fabric from fraying and it will be cut away when the project is being framed, so there won’t be any tape to pull off or stitches to remove once the project is finished, with no leftover tape residue if it gets put in storage.

Pinking your fabric does mean that you have to add extra fabric allowance around the edges, however. If you normally give three extra inches for framing purposes, you’re going to want to give a couple more to make sure you can remove the jagged edges made by the pinking shears before you frame. Otherwise, it’ s a very popular method for preventing aida and other fabrics from fraying!

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“Term of the Week” is a weekly blog post highlighting a new word or phrase commonly used among cross-stitchers but not found in an ordinary dictionary. These posts are to help explain the words’ meanings in context and provide a resource for anyone wondering what a term like “frogging” means. Check back every Thursday!

Term of the Week: Round Robin

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For this term of the Week we finally jump away from acronyms – sort of. I’ve used the actual phrase here instead of the acronym, but Round Robbin is commonly referred to by its acronym RR as well!

Anyway, to the definition: what does Round Robbin mean exactly? No, it’s not referring to a fat bird. Round Robin is an event similar to a SAL, but the rules are a little bit different.

So here’s how a basic Round Robin is supposed to work: A group of stitchers get together and decide to stitch a project. The person chosen as a starter in the group gathers the supplies (chart, thread, fabric, etc.) and then mails it to the first person. That first person stitches the project, replaces any supplies they’ve used up, and sends it along to the next person. This continues until everyone now has a finish and the project makes it back to the RR starter. By the end, the goal is for everyone to have a finished piece with only one set of supplies.

There are many different types of Round Robins, however. One variation that’s the most popular is that there is only one main project and everyone in the RR stitches a small section rather than the whole piece, and at the end everyone has contributed to the RR starter’s main project. The stitchers in the RR don’t have finished pieces of their own but the RR starter now has a very treasured finish with a little piece of every stitcher. This type is most popular for charities and stitching a project for someone who can’t finish it themselves.

Round Robbins are not as popular as SALs and the reason why is the RR being mailed around. Every once in a while you’ll hear stories of the next person on the RR list receiving the project and then never sending it on again. The biggest deterrent for the popular ‘one project’ variation is if the piece is damaged by one stitcher – gets something spilled on it, makes a huge mistake, etc. – and the piece is ruined, all of the stitchers are out of the project and everyone has to start over.

SALs are more popular and preferred because your project is your own project and you don’t have to worry about it getting lost in the mail or another stitcher’s dog tearing it to pieces. However, Round Robbin is still the second-most popular group stitching event where everyone stitches the same project.

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“Term of the Week” is a weekly blog post highlighting a new word or phrase commonly used among cross-stitchers but not found in an ordinary dictionary. These posts are to help explain the words’ meanings in context and provide a resource for anyone wondering what a term like “frogging” means. Check back every Thursday!

Progress Report: Little Princess, Part 1

So imagine my surprise as I went to write the article on my progress on Little Princess today, that there was no article that came before it! I have no clue why it wasn’t in my Drafts folder like all my other Progress Reports have been. So instead of the article I had planned to finish out Day 18, here is all the progress on this piece from before!

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Why I Stitch (And Why You Should Too)

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I’ve thought a lot today about why I stitch. Not for any particular reason, I just tend to get introspective sometimes. Why do I stitch? What enjoyment do I get from a craft that forces me to sit still for several hours, entirely focused on needle and thread, counting and making small ‘x’s on fabric to form a picture?

The answer to this is different for everyone. For me in particular, it comes with a story.

I’ve cross-stitched since I was eight years old, but during the teenager years I didn’t do a lot of stitching. I had better things to do with my time like play video games or surf the Internet. Typical teenager stuff. And when I was 16, I hit a rough patch like a typical teenager does. Except mine was anything but typical.

It was a chemical imbalance that caused a whole host of problems: I was under high levels of stress and unable to manage it effectively, I was constantly ill with one thing after another, and I sank into a depression that lasted more than a year. I ended up seeing a doctor for one of my problems and the medication they gave me helped right the chemical imbalance and the rest went away on their own, with a few relapses every now and again.

But for that year, it felt as if my world crumbled around me and I lost passion for every single hobby I participated in up to that point. I no longer enjoyed anything. I didn’t feel as if I liked anything I use to like. I had nothing to turn to as a pick-me-up or a distraction. I dropped all my hobbies and activities. When I came out on the other side of the depression wall a year later I was at square zero with nothing to keep myself occupied.

Stitching has always been an activity at the back of my mind. Something I always thought about but rarely did. Since I had nothing else to do, I dug out my stitching stuff and went through it to see what I had left from when I was a kid. I didn’t have much, but I did have a few mini-kits. And I picked up the needle again.

When someone asks me why I stitch, I tell them it’s a stress reliever. That’s true for a lot of people. When you make any sort of craft – and I feel this is especially true for cross-stitch – you fall into a mindless rhythm. If I’ve got my count down and I’m in a block of color my fingers move on their own. But when I’m counting or I’ve got to watch my stitches, it’s the only thing I can focus on – it physically prevents me from other thoughts. I’m a dweller, a worrier; I have mild anxiety where a thought or action can leave my stomach in knots for hours. But when I stitch, I don’t overthink about things. I can’t. I’ll mess up my count.

When someone asks me why I stitch, I tell them it’s an art where you don’t have to be an artist. I definitely have mastery over the keyboard more than the pen. I can’t draw a straight line. I barely color within the lines, and I never liked to use paint. I can’t dance, I can’t create professional music. When I see beautiful works of art I feel envious: I wish I could do what they do. And yet, cross-stitch is one of the oldest forms of needlework on the planet. Cave people sewed ‘x’s into cloth while others painted the cave walls. I create a work of art made of needle and thread with every up and down motion of the needle, with every ‘x’ I make. I don’t have to have a steady hand or a keen eye or a healthy body. I just need patience, fabric, a needle, and thread.

When someone asks me why I stitch, I tell them I can create a work of art that will last for centuries. It may never hang in a museum like a Da Vinci or a Picasso, but if time and luck and fate permits it will hang on someone’s wall long after I’m gone. I don’t expect my piece of a cutesy butterfly to go down in history but it’s already been proven cross-stitch is an artwork that stands the test of time. Women and men have practiced the art since before we had words to write about it, and I am proud to say I can carry on that tradition. It may seem unpopular or unknown, but the art of cross-stitch and other needlework will never die out.

When someone asks me why I stitch, I tell them it’s because a needle and thread doesn’t care you who are. The stitching community doesn’t care who you are. Man, woman, young, old, thin, fat, healthy, sick, formally educated or self-taught… the people are as diverse as the craft. We all have different tastes and there is a piece that will suit you. I am a young, twenty-something woman with a myriad of health issues and no formal secondary education. The needle doesn’t care. Cross-stitch and the community built around it is so remarkably accepting in a world that divides itself over pretty much everything. Anyone can learn the craft or pick up a needle. It doesn’t matter who you are.

Stitching certainly isn’t for everyone; nothing is. But I personally have fallen head over heels in love with all of it. It became my pick-me-up, my distraction from reality. I have pushed myself above and beyond what I expected when I made my first stitch after so many years. The power of creation is in my grasp. I want to share this joy with everyone! And if I’ve encouraged even just one other person to start stitching again, or enticed someone to look into starting… then that’s a victory for me.

This is why I stitch. Why do you?

My kitten and I working on my latest project.

My kitten and I working on my latest project.

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“Random Corner” is a place for all articles related to all manners of cross-stitchery and the cross-stitch community that don’t fall into the topics covered in the regular segments. There is no set schedule for Random Corner articles, they’re just random!

By the way – to keep up on Little Thread Crafts stitching news and get pictures, updates, and more that don’t appear on the blog until much later, follow me on Facebook, Twitter, and Instagram! I would greatly appreciate it!

Friday Finishes #28: Christmas Teddy Bear

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Today’s Friday Finish!

And just as quickly as it begun, it ends. That’s what I get for not stitching very many Christmas presents! Today’s Friday Finishes is the Christmas teddy bear I stitched for my nephew.

Name of Piece: Teddy Bear Plush Pet GNTBWM

Designed by: There is no designer listed.

Distributed as a kit by Charles Craft through their Plush Pet series.

Kit Contains: Plush Pet with 18 ct. Aida cloth bib, Free Designs, Color Key, and Washing Instructions

Finished Size: 2.5 in by 2 in

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Friday Finishes #27: Beary Kissmas

The finished piece!

The finished piece!

Ah, more than a year later we are finally caught up to the point that we’re to Christmas 2013 presents and finishes! The first of our two Christmas finishes is a mini kit of two Christmas teddy bears.

Name of Piece: 30642 Beary Kissmas

Designed by: Carole Rodgers for The New Berlin Co.

Distributed as a kit by The New Berlin Co. under their Christmas Ornament Kit series.

Kit Contains: Ornament frame, self-adhesive mounting board, DMC embroidery floss, 14 ct. evenweave fabric, 1/8″ satin ribbon, needle, and easy to follow instructions.

Finished Size: I’d say roughly 2.5 in by 3 in, as it’s an oval shape.

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Friday Finishes #26: iPhone Cross-Stitch Case

The finished piece!

The finished piece!

Welcome to the next Friday Finishes article!

I honestly have no idea what the number of this finish is… I’m guessing it has to be around the 15th or so? Once I actually get around to writing all of my articles and they’re all in proper order I’ll be coming back to fix the number. (I’ve just done a mental count and it seems like it’s more in the mid-20s or so rather than 15 but we’ll get back to it!)

Name of Piece: iPhone Cross-Stitch Case Kit in Black – DIY

Designed by: Me! The case came with patterns but I tossed them and made my own.

Distributed as a kitted DIY project by the Coats & Clark Company, under the same name. Charts in kit designed by Kooler Design Studio.

Kit Contains: perforated phone cover, 6 colors of thread, needle, charts, and instructions.

Finished Size: Fits any iPhone 4/4S » Read more

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